Thomas Bohle is especially interested
in double-walled vessels in which the strongly differing exterior
and interior shapes form a deliberate contrast. This is also
frequently echoed in a contrast of colour. The construction
of the forms is often conceived in such a way that the glaze
runs down the vertical wall forming glaze droplets on the
lower edge. Fired in a open reduction flame, the oxblood and
the celadon glazes reveal their true beauty.
Thomas Bohle`s wealth of imagination in regard to form and
perfect technical implementation hits the nerve of our times
with their proximity distinguished modern design. In addition
to technical, material-related formal and aesthetic qualities
his work tends towards conceptional clarity in the field of
ceramics creativity.
With his work, he proves that the ceramic vessel is a topicality
as a means of artistic expression.
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