Alison Britton OBE (* 1948)
Sculpture, architecture, and painting: in Alison Britton’s
work these three spheres have been combined to create singularly
impressive and memorable objects which have often make you forget
that they are made of clay. But of clay they are and have, more
or less strongly, almost always been reminiscent of jugs and bowls.
The idea of the vessel, however, underwent stages of deconstruction
similar to those we can witness in the works of architects like
Frank Gehry or Daniel Liebeskind and it is her unique ability to
simultaneously present in her objects the two-dimensional world
of painting and the three-dimensional of architecture. There is
a strong tension in her work between outside and inside because
her forms and shapes do not just surround space but also express
its volume. Herr pots do not tell stories: they are suggestive,
gestural, abstract, ornamental and emerge from intensely lived moments
of imagination.
Gordon Baldwin OBE (* 1932)
The language of forms Gordon Baldwin has invented and refined in
his career is unmistakable. His objects of clay are abstract, clear,
mysteriously elegant, invented and yet reminiscent of what the artist’s
eye can see and his hands feel in the world of minerals like crystal,
rock and pebble under changing skies and on the edge of the sea.
Starting from a preference for hermetically closed forms, coil-built
or from slabs and fired many times to make them acquire the hard,
stony surface they must have, today Baldwin’s objects have
openings, marks and patterns mostly geometrical, incised but also
in painterly colours. His monumental shapes explore the infinite
relationships between volume and line white and colour, space and
surface, thickness and thinness, smoothness and raggedness. He creates
whole families of shapes round, tall, erect, and composite objects
which combine these elements and qualities. The way he works is
processual and imaginative and makes his objects documents of his
subtle dialogues with his materials.
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